Apr. 6, 2013
A Paris Blackbird
Along the Seine's left bank, near the Pont-Neuf, on the mansard roof
of my hotel, a scruffy blackbird squats by a chimney pot. Every day
for a week now, I have listened to him sing his April a cappella.
Not once has he repeated the same song, not once has he left
for the chestnut trees by the river, where he would have a better chance
of being heard, a better chance of enchanting some bronze-breasted female,
or lovers taking time off from noise. His song is all that counts.
It soars over roofs and terra-cotta chimneys, its trills cut by taxis,
cars and trucks coughing through the Parisian rush.
On the right bank of the Seine, three hours into Le Louvre's maze, past
Persian mosaics, glass-caged coins and Egyptian amulets, I slip
out of the tourist herd and head for a chair in a corner of the Greek Hall.
I sit there, shoeless, numb with knowledge and history and stare at the bust
of an old woman, labeled Anonymous, Greek, 11 BC. She looks at me: weary,
terrible with banality, lips open, neck taut as if she were about to sing.
And as the crowds flock toward the Venus de Milo, nod at her beauty
gawk at her perfect breasts, I look at this nameless woman, as I did
the scruffy blackbird—and listen for the cry caught in her bronze throat.
It's the birthday of the Shoshone woman Sacajawea, born in Idaho sometime around 1789. She was kidnapped at age 10 by the Hidatsa tribe, sold into slavery, and bought by a French-Canadian trapper who made her one of his two wives. When Lewis and Clark hired the trapper to guide them to the Pacific, Sacajawea — a teenager with her two-month-old baby on her back — was part of the deal. She was the only woman to accompany the permanent party to the Pacific Ocean and back.
Officially she acted as interpreter, since she could speak half a dozen Indian languages. But she also knew which plants were edible, and she saved the explorers' records when their boat overturned. In his notes, William Clark pointed out that tribes were inclined to believe that their party was friendly when they saw Sacajawea because a war party would never travel with a woman, especially one with a baby.
When the trip was over, Sacajawea received nothing. Her trapper husband got $500.33 and 320 acres of land. She died on December 22, 1812, of a "putrid fever," according to Clark's records. She was 23. Eight months later, Clark legally adopted her two children — the boy who had been a baby on the expedition, Jean Baptiste, and an infant daughter, Lisette.
It's the birthday of critic, novelist, and short-story writer Robert Coates (books by this author), born in New Haven, Connecticut (1897). So in 1921, he left the United States and went to Paris and became part of the circle of American expatriates there. Gertrude Stein helped him publish his experimental first novel, The Eater of Darkness (1926), and Coates introduced her to Hemingway. After a while he moved back to the United States and got a job with the recently launched New Yorker, writing short stories and book reviews and serving as the magazine's art critic for 30 years. It was in the pages of The New Yorker that Coates coined the term "abstract expressionism."
The day before he had lost a libel case he'd brought against his lover's father, John Sholto Douglas, the 9th Marquess of Queensberry. The Marquess had called Wilde a sodomite, and Wilde wanted to humiliate him and show off his own wit by taking him to court. Wilde was the one who famously said, "The only thing worse than being talked about is not being talked about."
The whole thing backfired. Wilde lost the libel case, and Douglas gathered enough evidence to have him arrested. Still, it took two trials to convict Wilde, though it helped that the prosecution paid Wilde's former lovers to testify.
He was sentenced to two years of hard labor. He walked six hours a day in 29-minute increments, with five minute breaks, until he'd covered a distance equal to a 6,000-foot incline. He slept on a wooden plank, and for the first several months he was not allowed books, writing utensils, or paper.
When he finally got them, he wrote the poem The Ballad of Reading Gaol, an allegory of his downfall. It was published anonymously until its seventh printing, when Wilde finally told his publisher it was OK to add his name to it.
Be well, do good work, and keep in touch.®