Saturday
Jan. 4, 2003
White Autumn
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Poem: "White Autumn," by Robert Morgan from At the Edge of the Orchard Country (Wesleyan University Press).
White Autumn
She had always loved to read, even
  in childhood during the Confederate War,
  and built the habit later of staying up
  by the oil lamp near the fireplace after
  husband and children slept, the scrub-work done.
  She fed the addiction in the hard years
  of Reconstruction and even after
  her husband died and she was forced
  to provide and be sole foreman of the place.
  While her only son fought in France
  it was this second life, by the open window
  in warm months when the pines on the hill
  seemed to talk to the creek, or katydids
  lined-out their hymns in the trees beyond the barn,
  or by the familiar of fire in winter,
  that sustained her. She and her daughters
  later forgot the time, the exact date,
  if there was such a day, she made her decision.
  But after the children could cook
  and garden and milk and bring in a little
  by housecleaning for the rich in Flat Rock,
  and the son returned from overseas
  wounded but still able and married a war widow,
  and when she had found just the right chair,
  a rocker joined by a man over on Willow
  from rubbed hickory, with cane seat and back,
  and arms wide enough to rest her everlasting cup
  of coffee on, or a heavy book,
  she knew she had come to her place and would stay.
  And from that day, if it was one time and not
  a gradual recognition, she never crossed a threshold
  or ventured from that special seat of rightness,
  of presence and pleasure, except to be helped to bed
  in the hours before dawn for a little nap.
  That chair-every Christmas someone gave her a bright
  cushion to break in-was the site on which she bathed
  in a warm river of books and black coffee,
  varieties of candy and cakes kept in a low cupboard
  at hand. The cats passed through her lap and legs
  and through the rungs of her seat. The tons
  of firewood came in cold and left as light, smoke, ash.
  She rode that upright cradle to sleep
  and through many long visits with tiers of family,
  kissing the babies like different kinds of fruit.
  Always hiding the clay pipe in her cabinet
  when company appeared. She chaired decisions
  to keep the land and refused welfare.
  On that creaking throne she ruled a tiny kingdom
  through war, death of kin. Even on the night she did
  stop breathing, near a hundred, no one knew
  exactly when, but found the lamp still on,
  the romance open to a new chapter,
  and the sun just appearing at her elbow.
  It's the birthday of Jakob 
  Grimm, born in Hanau, Germany (1785). He and his brother, Wilhelm, assembled 
  a collection of folktales we all know today. The collection contained stories 
  that we now know such as "Little Red Riding Hood," "The Bremen-Town 
  Musicians," "Cinderella" and "Rumplestiltskin." Scholars 
  have been studying and categorizing fairy tales ever since; according to folk 
  tale typology, Cinderella is a version of type 510A, "heroines persecuted"; 
  Little Red Riding Hood is type 333, "careless girls eaten by witches."
It's the birthday of Charles Stratton, "General 
  Tom Thumb," born in Bridgeport, Connecticut (1838). He stopped growing 
  at the age of seven months, and never weighed more than fifteen pounds, even 
  as a full-grown adult. Under the care of Phineas Barnum, he made appearances 
  all over the United States and Europe, and he always agreed to go back on tour 
  when Barnum ran short of funds.
  
 
			
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