Thursday
Mar. 25, 2010
Breaking Silence - For My Son
The night you were conceived
your father drove up Avon Mountain
and into the roadside rest
that looked over the little city,
its handful of scattered sparks.
I was eighteen and thin then
but the front seat of the 1956 Dodge
seemed cramped and dark,
the new diamond, I hadn't known
how to refuse, trapping flecks of light.
Even then the blackness was thick
as a muck you could swim through.
Your father pushed me down
on the scratchy seat, not roughly
but as if staking a claim,
and his face rose like
a thing-shadowed moon above me.
My legs ached in those peculiar angles,
my head bumped against the door.
I know you want me to say I loved him
but I wanted only to belong—to anyone.
So I let it happen,
the way I let all of it happen—
the marriage, his drinking, the rage.
This is not to say I loved you any less—
only I was young and didn't know yet
we can choose our lives.
It was dark in the car.
Such weight and pressure,
the wet earthy smell of night,
a slickness like glue.
And in a distant inviolate place,
as though it had nothing at all
to do with him, you were a spark
in silence catching.
It's the birthday of Flannery O'Connor, (books by this author) born 85 years ago today in Savannah, Georgia (1925), who wrote two novels and 32 short stories and who said: "I come from a family where the only emotion respectable to show is irritation. In some this tendency produces hives, in others literature, in me both." When she was six, she and a chicken that she taught to walk backward appeared on the news. She later said: "I was just there to assist the chicken but it was the high point in my life. Everything since has been anticlimax."
After college, she went to the Iowa Writers' Workshop, and then spent time at the Yaddo Writers' Colony. At the age of 26, she was diagnosed with lupus, the disease that had killed her father when she was a teenager. At the time, doctors told her she would live for another five years, but she survived for nearly 14 years. She moved back to Georgia so that her mom could take care of her, to a 500-acre family farm in Milledgeville where she raised chickens, ducks, hens, geese, and peacocks, her favorite. She arose every morning when the chickens first cackled, went to 7:00 a.m. Mass in town at Sacred Heart, returned home and wrote for a couple of hours each day, until she felt too weak or tired.
As she herself put it, she wrote about "freaks and folks." She said, "Whenever I'm asked why Southern writers particularly have a penchant for writing about freaks, I say it is because we are still able to recognize one."
In her sickly 14 years on the farm with her mother, O'Connor wrote two dozen short stories and two novels filled with her freakish, obsessive characters, crazy preachers, murderers, outcasts. Her most famous stories include "A Good Man Is Hard to Find," about a silly, annoying old woman whose entire family gets murdered by a man called The Misfit, and "Good Country People," about a pretentious young woman whose wooden leg is stolen by a Bible salesman.
Many of Flannery O'Connor's letters are collected in a volume called The Habit of Being (1979), edited by her friend Sally Fitzgerald. And despite O'Connor's premonition that "there won't be any biographies of me, because lives spent between the house and the chicken yard do not make exciting copy," a new book about her life came out just last year, written by Brad Gooch and entitled Flannery (2009).
Flannery O'Connor said, "The writer should never be ashamed of staring. There is nothing that does not require his attention."
Be well, do good work, and keep in touch.®