Wednesday

Jul. 25, 2012


In Texas

by May Sarton

In Texas the lid blew off the sky a long time ago
So there's nothing to keep the wind from blowing
And it blows all the time. Everywhere is far to go
So there's no hurry at all, and no reason for going.
In Texas there's so much space words have a way
Of getting lost in the silence before they're spoken
So people hang on a long time to what they have to say;
And when they say it the silence is not broken,
But it absorbs the words and slowly gives them
Over to miles of white-gold plains and gray-green hills,
And they are part of that silence that outlives them.
Nothing moves fast in Texas except the windmills
And the hawk that rises up with a clatter of wings.
(Nothing more startling here than sudden motion,
Everything is so still.) But the earth slowly swings
In time like a great swelling never-ending ocean,
And the houses that ride the tawny waves get smaller
As you get near them because you see them then
Under the whole sky, and the whole sky is so much taller
With the lid off than a million towers built by men.
After a while you can only see what's at horizon's edge,
And you are stretched with looking so far instead of near,
So you jump, you are startled by a blown piece of sedge;
You feel wide-eyed and ruminative as a ponderous steer.
In Texas you look at America with a patient eye.
You want everything to be sure and slow and set in relation
To immense skies and earth that never ends. You wonder why
People must talk and strain so much about a nation
That lives in spaces vaster than a man's dream and can go
Five hundred miles through wilderness, meeting only the hawk
And the dead rabbit in the road. What happens must be slow,
Must go deeper even than hand's work or tongue's talk,
Must rise out of the flesh like sweat after a hard day,
Must come slowly, in its own time, in its own way.

"In Texas" by May Sarton, from Collected Poems: 1930-1993. © W.W. Norton & Company, 1992. Reprinted with permission. (buy now)

It was on this day in 1897 that 21-year-old novelist Jack London (books by this author) sailed from San Francisco, on his way to the Klondike to search for gold. He was on board the SS Umatilla with his brother-in-law, James Shepard, who was close to 70 years old. Shepard and his wife, Eliza, who was London's sister, mortgaged their house to afford the passage and gear for the two men. They had a smooth eight-day trip from San Francisco to Juneau, Alaska, and then took boats to Dyea Beach, the start of the Chilkoot Trail. The Chilkoot Trail was a difficult 33-mile journey through the Chilkoot Pass, but it was the most direct route from the coast of Alaska to the Yukon. When Shepard saw the Chilkoot Pass, he realized that there was no way he would make it. He gave all his gear to London and went home to California.

The Chilkoot Trail was brutal. The trail rose a thousand feet in the last half mile, and men had to carry all their gear on their backs because it was too steep for animals. Prospectors climbed in one single-file line. If anyone faltered and got out of line, they were not let back in. So many men were unable to survive in the Klondike that the Canadian Mounted Police mandated that all prospectors bring one ton of supplies, the minimum for a year there. So London had to climb up the Chilkoot Pass over and over, with 100-pound loads each time.

Once London made it over Chilkoot Pass, he was in Canada. From there, it was 500 miles to Dawson City, the outpost of the gold rush. After hiking through a frigid marsh up to his knees, London arrived at Lake Lindemann, the beginning of a web of rivers and lakes that would eventually lead to Dawson City. London reached Dawson City just as the Arctic winter was setting in. London came down with scurvy due to the lack of fresh vegetables, and was forced to head back to the ocean. He was not alone in turning back. Of the 100,000 potential prospectors who set out for Dawson, only about 30 percent made it, and of those, about 4,000 actually found gold.

London returned to San Francisco sick and depressed, but he started writing about his adventures in the Yukon. The Atlantic Monthly accepted his story "An Odyssey of the North," in which he wrote: "On the bottom there was a cabin, built by some man, of logs which he had cast down from above. It was a very old cabin, for men had died there alone at different times, and on pieces of birch bark which were there we read their last words and their curses. One had died of scurvy; another's partner had robbed him of his last grub and powder and stolen away; a third had been mauled by a baldface grizzly; a fourth had hunted for game and starved — and so it went, and they had been loath to leave the gold, and had died by the side of it in one way or another. And the worthless gold they had gathered yellowed the floor of the cabin like in a dream." In the year 1899, London published more than 50 pieces — poems, essays, and stories. Early in 1900, he published his first book, Son of the Wolf, a collection of short stories based on his adventures in the Klondike, and that led to his book The Call of the Wild (1903), which made his career.

Be well, do good work, and keep in touch.®

 

«

»

  • “Writers end up writing stories—or rather, stories' shadows—and they're grateful if they can, but it is not enough. Nothing the writer can do is ever enough” —Joy Williams
  • “I want to live other lives. I've never quite believed that one chance is all I get. Writing is my way of making other chances.” —Anne Tyler
  • “Writing is a performance, like singing an aria or dancing a jig” —Stephen Greenblatt
  • “All good writing is swimming under water and holding your breath.” —F. Scott Fitzgerald
  • “Good writing is always about things that are important to you, things that are scary to you, things that eat you up.” —John Edgar Wideman
  • “In certain ways writing is a form of prayer.” —Denise Levertov
  • “Writing is a socially acceptable form of schizophrenia.” —E.L. Doctorow
  • “Writing is like driving at night in the fog. You can only see as far as your headlights, but you can make the whole trip that way.” —E.L. Doctorow
  • “Let's face it, writing is hell.” —William Styron
  • “A writer is someone for whom writing is more difficult than it is for other people.” —Thomas Mann
  • “Writing is 90 percent procrastination: reading magazines, eating cereal out of the box, watching infomercials.” —Paul Rudnick
  • “Writing is a failure. Writing is not only useless, it's spoiled paper.” —Padget Powell
  • “Writing is very hard work and knowing what you're doing the whole time.” —Shelby Foote
  • “I think all writing is a disease. You can't stop it.” —William Carlos Williams
  • “Writing is like getting married. One should never commit oneself until one is amazed at one's luck.” —Iris Murdoch
  • “The less conscious one is of being ‘a writer,’ the better the writing.” —Pico Iyer
  • “Writing is…that oddest of anomalies: an intimate letter to a stranger.” —Pico Iyer
  • “Writing is my dharma.” —Raja Rao
  • “Writing is a combination of intangible creative fantasy and appallingly hard work.” —Anthony Powell
  • “I think writing is, by definition, an optimistic act.” —Michael Cunningham
Current Faves - Learn more about poets featured frequently on the show